Cinema is not just storytelling — it is medicine. A shamanic approach to cinema means we are cooking the medicine for people, connecting to the collective unconscious. Each film becomes a mirror of its creator’s inner world: their conflicts, their journeys, their healing. Through self-discovery, confrontation, acceptance, and resolution, filmmakers transform their personal struggles into gifts — medicines for the audience, shared through the screen.
This vision is not only about films, but about a school — a living system. A place where people learn how to create cinema as a medicine for the soul. It is spiritual, but also deeply practical, psychological, and therapeutic. A practice that teaches creators to enter their own depths and bring back something that heals others.
And here, the role of ritual and ceremony becomes essential. Inspired by psychomagic, shamanic practices, and sacred traditions, the act of filmmaking becomes a rite, and the cinema itself becomes a temple. That is why the reconstruction of the Gardinovci cinema hall is not just a renovation project
— it is the foundation of this vision. A true temple of cinema, where creators can offer their work as prayers, and audiences can enter into a ceremony with them.
The land and nature around this place are not separate from the vision, but integral to it. Just as we planted trees and nurtured bees, so too will students cultivate themselves. The houses, the fields, the trees — they all become reflections of the inner worlds of those who come here. They will learn from nature, and in turn, give back to it, living in reciprocity.
Cinema, then, becomes a gateway into the collective unconscious.
A tool for transformation, both personal and communal.